Via Courier Mail So I'm late to the game on this one - like the grounds crew has already finished their job, packed up, and has cracked a beer at home late - but figured what the heck, a good song is a good song right? The Brisbane artist absolutely kills Chet Faker's "Gold" during this round of Triple J's Like a Version. Faker's Built on Glass was easily one of the records on heaviest rotation for me this past year, so praise for Faker duplication does not come easily.Plum adds so many layers, however, really giving the track more the feel of a stepchild - who becomes the star of the family -rather than bastard son. Might just be listening to Plum's take from here on out whenever Built on Glass hits track five. Be sure to check out her first EP, Rosie , and her latest, Monsters . This find comes via Stereofox .
It's been a great week for new releases and the one I'm most excited about thus far is "Petrol Station" from Sorcha Richardson . There are a few groups that have been standbys for me since Bochi Crew started in 2012 and Sorcha Richardson is certainly one of them. The New York based Irish musician has developed tremendously through her solo work and work with CON VOS . In her most recent effort, the stripped down acoustic has made way for a synth heavy, thumping tune. The best part? Richardson's lyrics still linger on just as hauntingly as they always have. Take the line: "the grass stains on my shoes/and my rib cage is bruised/and that side of love you tasted/find that stuff you chase." It hits just as hard as lines on Sleep will set me free . Richardson has a knack for not only great lyricism, but for the even more important delivery. "Petrol Station" sees its release on May 26th followed by a number of summer shows. Catch her May 23 at H
With the constant stream of submissions it becomes easy to forget to look outside your inbox for new music. This post highlights some of the best new releases making the rounds of the blogosphere in addition to some releases that recently landed in our inbox. Oberhofer On a sleepy winter night in Grinnell two years ago, I had the blessing to catch a joint Night Moves/Oberhofer show. The night quickly became anything but quiet as the two groups proceeded to assure that anyone living above the dorm hall basement wouldn't get any sleep so they might as well turn out and dance. Oberhofer proved to surpass my already high expectations for the show. With PBR in hand, everyone put their heads down and focused on the task at hand, dancing to the infectious surfer rock. As Brad Oberhofer crooned, "The city's looking queer and crass, with beer cans growing blades of grass, to look like something new.," I remember my friends and I looking at one another with wide grins