While that last post has spun me into a country/southern rock tailspin, I will move away from the genre for those of you who are not as inclined towards it. Today sure as hell dragged on like a Monday though and with all the storms outside, seems like a good day for T-Bone Walkers "Call it Stormy Monday." Decided to throw in some Howlin' Wolf for good measure. "Killing Floor" is a personal favorite and I remember my friends and I freshmen year of high school attempting to create a Howlin' Wolf cover band and falling flat on our face. Enjoy and be thankful it is not us.
On another note, the blog is finally starting to get some traffic so if you have been checking it keep checking and tell some friends!
Submissions from this past week seem to represent one or two genres, composition and instrumental. As I have mentioned in the past, instrumental work tends to be my favorite and unfortunately it seems to be a genre that doesn't secure enough traction. 'Nough said and with one more plug on to the music. As always email us your submissions at email@example.com
Starting piano at the age of 6 and beginning to compose at the age of 14, the ability of Oskar Schuster to weave fantasized dreamscapes comes as no surprise. In more recent years Schuster studied musicology in Munich before packing up his bags for Berlin in hopes of becoming a musician. Since then he has released Dear Utopia in September 2011 and is currently working on his second full-length entitled, Sneuuwland. Schuster writes,
"I like to call my songs musical fairytales as they create a surreal, magical atmosphere with the combination of piano, glockenspiel, music box, accordion and beats ma…
It is time for another Postcard. The aim of the feature is to promote the best music that we have received in the past week in one post. The list is capped at four to allow for a more in-depth look at each featured artist. This week takes us from Highlife, to vamped Western folk, to beautifully and poetically chaotic beats.
Prior to Bells Atlas I had no idea what the hell the Highlife music was. Two months later, I find myself an avid listener of Cardinal Rex Lawson, a chief inspiration for frontwoman, Sandra Lawson-Ndu. Much like,"Video Star" and "Loving You Down," "Incessant Noise" delves into sentiments that are easily relatable: "Afraid I'll long for what will pass/and find it's empty on the other side/ and so I hold I hold I hold." The track is structured in a brilliant way, with repetition as its hallmark. The repetition hammers home the lyrics while allowing Lawson-Ndu's vocals to roll out organically. The list…
At the end of what seemed like a fruitless search, I finally stumbled upon a gem in "You Can Yell." Astronauts, etc. (project of Berkeley based Anthony Ferraro) bears an eerie resemblance to my favorite collaboration of CSLSX and I Break Horses. Beginning with reverb heavy guitar, the beat drops with hushed vocals and crescendos before dropping into a distorted chorus. I have a lot going on tomorrow so I am required to stay in tonight and this track makes the time go by just a little bit easier.